Tag - Scarlet
RED's Jim Jannard and Jarred Land gave two previews of two high-end technology upgrades. The Dragon will upgrade both the EPIC and Scarlet lines to a maximum 6K resolution. In the process, they also get 120FPS shooting even at 5K, and over 15 stops of dynamic range for better handling of highlights and shadows.
Sony followed up on its promises at the start of the week by shipping its first CineAlta F65 pro video camera. Movie camera rental firm Otto Nemenz International picked up the 4K-capable camera. About 400 pre-orders had lined up, with "at least two" large studios planning to start using their F65s almost immediately on projects.
RED's Scarlet-X camera has been reviewed by the team at Cinema5D, after the first limited production units began shipping to a select group of customers in November. A video post provides an early look at the professional camera, which starts at $9,700 and is already on backorder.
Red took its accusations of Arri hacking further in the past week by suing Arri directly for claims of corporate spying. Based on a plea by former Arri veteran Michael Bravin, Red argued that the rival beyond-HD video camera designer had used technical details Red was sharing with Band Pro during talks over a possible deal. Bravin's hacking allegedly led to Arri getting unfair help developing its Alexa camera, a direct rival to Red models like the Epic-X.
Cinematographer Tonaci Tran has become the first person to receive a shipping unit of the RED Scarlet 4K camera. Tran is a known in the industry as a RED product specialist and is often hired on film sets as RED camera supervisor or operator. RED has posted an image of Tran with his new Scarlet unit on its company blog.
RED at its own camera event showed its long-delayed, finished version of the Scarlet. The new version has gone from a complete camera to a central body and sensor that fits into the RED modular system. While not ambitious as the Epic system, it's now one of the least expensive 4K cameras, costing $9,750 despite shooting at its full 4096x2160 at a slightly more than film-grade 25FPS.
Red company founder Jim Jannard announced on the company's forums that the Scarlet pro-oriented digital camera will be finally unveiled on November 3. The reveal will include technical specs and shipping information, so prices are also expected. The date coincides with Canon's scheduled Hollywood announcement, leading many to guess that RED may be using a similar 4K Super 35mm sensor as Canon, though other are quick to shoot these rumors down.
RED started the new year with details of the EPIC-S, the newly christened production form of the Scarlet. The name shift reflects a change from the cheaper original body to the same body as the EPIC-M and has the promised upgrade to HDRx (high dynamic range) recording. EPIC-S is focused on "pro, not prosumer," company founder Jim Jannard said.
Red has finally allowed a member of the general public to try out a prototype Scarlet camera that will arrived on the market in fixed-lens form. Company representative Jarred Land reportedly showed off the upcoming camera at Red Studios during the Santa Fe 3D Workshop. Aside from the fixed 8X lens, the camera was outfitted with a five-inch display.
RED founder Jim Jannard has admitted that his company should not have attempted to engage the consumer market with its upcoming Scarlet camera. The comments come just days after RED announced that it would raise the price of the Scarlet video camera by $1,000, which was said to be necessary to integrate a high dynamic range feature.